Initially begun as a 30 day project documenting things that are obsolescing in my life, I’ve now gathered steam and am continuing on until I run out of objects. Everyday I will photograph things hanging around in my studio (or bring them from my apartment) that I am classifying as either obsolete, or becoming obsolete. In a nutshell — clutter. — Deanne Achong, The Obsolescence Project
It seems fitting, given Obsolescing’s retrospective focus, that I’m informing you of Deanne Achong’s brilliant blog, The Obsolescence Project, after it’s already ended. For 365 days (with minimal breaks for flu, a wedding, and other of life’s interruptions), Achong, a Vancouver-based artist, has documented a different “useless object” each day.
Day One, February 1, 2012, the blog begins with a light meter and a straightforward, bare-bones caption:
Light Meter I bought at a garage sale a few years ago. Love the leather case. I did use a light meter like this when I first went to art school.
On Day 365, the Obsolescence Project concludes with a picture of a fossil, an ending that takes us back to distant beginnings, where the ephemeral also endures.
Achong follows a simple formula, which evolves over time: simple close-up photographs accompanied by short captions. The objects portrayed range from true treasures (fine china, old leather-bound books) to true trash (broken lamps, old power cords). Yet hers is a leveling eye. The sharp gaze of her camera lens exalts the lowly and humbles the proud. The obsolete parade by without value assigned, certainly not monetary value (though she will sometimes reveal what she paid — or didn’t — for something, especially if a treasure was plucked from a trash bin). Achong’s aim is not so much to reveal an object’s beauty, though her photos accomplish that, as to reclaim the trivial, broken and outdated.
The Obsolescence Project is in one sense a year-long artist’s manifesto, in which Achong considers her own magpie tendencies:
As an artist, I have kept a lot of stuff. Thinking one day it might have some kind of value. Not eBay value (although there’s that too) but become an idea for a project. Possibly I’ve imagined these things might magically assemble themselves into another type of object, present themselves to me as a story or at least a lead on a narrative that I want to pursue. I’m not giving up that hope, but I am hoping that by documenting their presence, I might detach from them and make the leap towards shoving (some of ) them out the door.
As our guide to this successive collection, Achong is inquisitve and wry, never authoritarian. She muses, rather than asserts. She usually shows her pieces from a variety of angles, then writes about its personal associations — where she acquired it, what she thought she might do with it. As her approach developed over time, she did research as well, so the curious reader will learn interesting facts about an object’s origin and history or even, say, how many Viewmasters appear for sale on E-bay.
Though this phase of the Obsolescence Project has now ended, this is a perfect time to go back and review the whole. Following Deanne’s process as she shapes the blog and discovers in the daily practice of photographing and writing exactly what she is doing, is fascinating and rewarding — a privileged glimpse of an artist at work.
On that last day, last February, I was happy to read that the Obsolescence Project will not itself become obsolete. Achong is taking a break after her (nearly) daily documentation over the course of a year and then plans to move on to Phase II — content and focus not yet announced.
I can’t wait! Brava Deanne!